12 scenes were shot over the day on Stage 3 at the superb Wimbledon facilities of Luke and Amanda Ryan’s MR Studios.
In the spirit of the production the Executive Architect, Robert Bishop and his colleagues Russell Ward and Peter Ziak made their screen debut contributions.
The VFX shoot was supervised under the expertise of Uel Hormann, working with overlays from designer Jan Cyrany in Prague and filmed by Tony May, DOP, and his specialist 'A' team.
The production casting, including several children, was by Natalie Brook-Reynolds, directed by David Milnes and produced by Josef d’Baché-Kane.
